Industrial Façades

Bernd and Hilla Becher

“The famous Düsseldorf photographers’ formal investigation of industrial structures displays their serenely cool, rigorous approach to the structures they photograph as variations on an ideal form. The Bechers make no attempt to analyze or explain their subjects. For more than 35 years, the Bechers have been creating a monument to the most venerable buildings of the industrial era through their photographic art. They have re-awoken the forgotten or unnoticed beauty of water towers, gas holders, lime kilns and blast furnaces, and their photographs have told the story of the process of industrialization. Their head-on, deadpan photographs express an almost Egyptial sense of man’s heroic effort to put his mark on the landscape. Industrial Façades covers the whole range of periods and designs representing the austere brick buildings of the early industrial age.”

Publisher: MIT
Hardback: 240 pages

Mineheads

Bernd and Hilla Becher

“The famous Düsseldorf photographers’ formal investigation of industrial structures displays their serenely cool, rigorous approach to the structures they photograph as variations on an ideal form. The Bechers make no attempt to analyze or explain their subjects. For more than 35 years, the Bechers have been creating a monument to the most venerable buildings of the industrial era through their photographic art. They have re-awoken the forgotten or unnoticed beauty of water towers, gas holders, lime kilns and blast furnaces, and their photographs have told the story of the process of industrialization. Their head-on, deadpan photographs express an almost Egyptial sense of man’s heroic effort to put his mark on the landscape. Mineheads shows the winding towers used to extract the coal and iron ore from the mines, and to transfer miners back and forth from underground.”

Publisher: MIT
Hardback: 200 pages

Against Architecture: The Writings of Georges Bataille

Denis Hollier

An academic interpretation of the “profoundly original and radical nature of Bataille’s work”: “Bataille’s Acephalus does not merely represent a grotesque celebration of upsides down and bottoms up, but the more abysmal image of a topless bottom. The concept of heterology, a neologism invented by Bataille, does not simply indicate a warm, euphoric relationship to otherness. Otherness, in other words, is not simply a matter of pleasure and enjoyment. There is no carnival without loss. No Luna Park without a slaughterhouse.”

Publisher: MIT
Paperback: 201 pages